Before the stone,the starting point.

1. 01

   Dimensions

   How much space should the piece occupy? Share an approximate height × width × depth, with units. For a circular piece, give diameter and height. Mention any fixed space limits and whether the size includes a base.

   Think about: proportion beside nearby furniture, viewing distance and room to move around it—not just the largest piece that fits.

   A rough measurement is enough to begin. Requested dimensions are not approved production dimensions.

2. 02

   Marble

   Do you have a stone in mind, or simply a colour? Tell us whether you prefer quiet or dramatic veining and a polished or matte appearance. A photograph of the surrounding materials can help.

   “Warm white, with subtle movement. I would like help choosing a suitable stone and finish.”

   Availability and suitability need review. Natural veining varies; a photograph or visualisation cannot guarantee an exact match.

3. 03

   Location

   Where will it live? Start with the destination city and country, then the room or setting. Tell us whether it is indoors or outdoors, freestanding, tabletop or intended for another placement.

   Think about: light, weather exposure, surrounding colours and the angles from which people will see the piece.

   A room photograph or simple plan is helpful. You do not need to share your exact street address at this stage.

4. 04

   Design reference

   Bring a sketch, an Alvora reference, a moodboard or a few words. Tell us what you respond to: the silhouette, a detail, a texture, a sense of movement. Mention anything you want to avoid.

   “I like this flowing outline, but would prefer a quieter surface and a wider base.”

   Share references you have permission to share. They explain a direction, not an automatic instruction to reproduce someone else’s design.

5. 05

   Use & quantity

   Is this a focal artwork, functional furniture, a serving piece or part of a larger project? Tell us how it will be used and how many pieces you are considering, including whether they should match.

   For a Lazy Susan: the dining-table size, seating arrangement and what it should hold. For a console: what it should support or display.

   Mention food contact, frequent public use or other practical needs. These affect the material, finish and technical review.

6. 06

   Budget

   If you have a working range, include the currency and what it needs to cover: the piece alone, delivery, or delivery and installation. This helps us discuss an appropriate scale and material direction.

   “My range is in USD and needs to include delivery. Installation can be discussed separately.”

   A range is optional and is not a quotation. Freight, import costs and installation responsibilities need to be agreed for your project.

7. 07

   Timing

   When would you like the piece delivered—not just finished in the workshop? Tell us if you are working towards a move-in date, opening or event, and whether that date is fixed or flexible.

   “Ideally before we move in; the date is flexible. Please advise on a realistic programme.”

   Design, material selection, approvals, making and transport all need time. Your requested date is subject to confirmation.

8. 08

   Access & installation

   Are there stairs, a lift, narrow doors, restricted unloading or a placement above ground level? Share what you know, and tell us whether an architect, contractor or installer is involved.

   Think about: the route from arrival to the final position, the supporting surface and who will receive the piece.

   You do not need to solve the engineering yourself. Weight, stability, lifting, support and fixing require project-specific technical review.

What happens after your brief? We begin by clarifying the idea and any missing information. Before making begins, the design, dimensions, stone and finish, price, payment terms, timing and delivery responsibilities must be agreed. Your first enquiry is a starting point, not a production approval.